Once again, it’s new release time. My apologies for being a bit late this time around. The releases in Australia were delayed by nearly a month to give Les Mills extra time to record our cover versions. I’m happy to say that the wait was worth it as the music is first rate and the next release (76) has already been announced to be on time.
Without further ado, here are some first impressions of BodyPump 75:
Warmup: As usual, we set the mood with an upbeat, bassy track. This time, it’s Cascada’s turn to get our heart rate up and running. Interesting to hear them in something other than the Back track :). The lyrics in the song work really well with the music, mood and moves. Nothing unusual in terms of moves, although we do get introduced to some wide lifts that we’ll see again later in the workout. As in the previous release, the warmup for the legs seems a little short, but it works well with the music.
Squats: Let the workout begin! Three big rounds for the legs. Long one, Medium one and a short(ish) one to finish off. It’s a big song with a massive bass beat. For this release, we get a really nice sequence of moves that trains every part of the leg at maximum intensity while still keeping it achievable. The choreography team vary each round with high intensity singles and bottom pulses and 2/2, 3/1 moves. The rounds are a lot longer than you think, so hang on tight. By the time we get to the last round and all the nice easy 2/2’s are replaced by an onslaught of singles and you’ll be gasping for air!
Chest: Uhh, i like this one. It’s a very different beat to what we normally get. Not sure how to explain it, but the sound a lot ‘rougher’. The track is divided into 4 rounds on the bench before we hit the pushups! Yes, that right, 4 rounds, then pushups. Even better, the challenge is to do the pushups with your feet on the bench. Ouch. Don’t worry though, they’re all over in 15 seconds. Overall, it’s another punishing track, thanks to the perfect choreography. Like in the Squat rack, we get a great mix of high and low intensity moves in each round and a big block of slow 4/4’s at the end to ‘recover’. Sing along with the lyrics and fill in the blanks when the going gets tough :)
Back: Quite simply, this is one of the best Back tracks we’ve had in a while. You know the song, you know the lyrics, you know the beat. The first round is completely unexpected. Guitar, drums, all the things you’d expect from a classic rock song. Rock song ? in a Back track ? … Stay with me.. Suddenly, half way through the warmup wide rows, the beat starts teasing its way in. First break. Boom! Grab your bar, it’s about to get serious. Clean-press combo, rows, wide rows. With each move, the beat gets bigger. After some very quick breaks, we get another two big rounds of high energy work.
Triceps: What a surprise, Pink makes an appearance in BodyPump :). (And in the non-PPCA version in Australia, the role of Pink is played by a male artist. Interesting…). Her ‘Bad Influence’ serves as a nice contrast to the high energy Back track we just experienced. We get two rounds on the bench with the bar in the usual moves followed by two rounds on the floor with a plate for some kickbacks. Do yourself a favour and go a little heavier than you normally would to get the best out of this track.
Biceps: Hmm, this one is interesting. I’ll be the first to admit that i’m n ot the world’s greatest fan of country music, but something is missing here. The Biceps track is usually one of the tougher tracks for the participants, so the music has more beat and motivation to it. This time around though, the Biceps track is lacking a defining beat and energy. Mind you, i’m sure all the country music fans would disagree with me :). Anyway, on to the track itself. Before you start, make sure you arm yourself with a little more weight than usual as the whole song is only 3:50 including a 10 second intro and break. That gives us 2 rounds before the break and a finisher round that ties everything together nicely. Nothing out of the ordinary here today. Nice even sets of 3’s, 2’s, 1/3’s and bottom halves.
Lunges: After the last two mellow tracks, Tiesto’s energy brings the high intensity with a vengeance. The track is split into three parts, two lunge sections at the start and a squat section at the end. As always when we have a squat component, go a little heavier on the weights to get the most out of it. The choreography is married perfectly to the music. We get the build-up, the calm-before-the-storm, the explosion of power, the active recovery and the massive race to the end. And even better, there is no break between the two lunge components so your legs are burning all the way through. By the time we get to the squats, there is just enough time to shake the legs out before the works kicks in again. The super slows make the hair on the back of your neck stand up before the final round of singles and bottom halves smashes your legs. Love it!
Shoulders: What can i say? Oh yeah: Hardest. Shoulder Track. Ever. Turn up the music, grab your plates and hope your arms don’t fall off! We’re starting with the bar for some upright rows and overhead presses while the incredible bass beat drives our heart rate through the roof. Quick break and we’re on the plates for a nice set o side raises and more Mac raises that you will care to count. (Hint: the first time you do this, be careful, there are more mac raises than you think !) Another quick break before some more side raises. Now the fun begins. Your arms are already shot and we haven’t even hit the hard stuff yet. To get used to the new moves, we’ll start with a set of Rotator Presses. Now, imagine combining that with a Pec Deck Press (yes, the machine from the gym floor). Keep your elbows high, grit your teeth and push through what feels like an eternity. And for good measure, let’s finish it off with 16 pushups. Up on your toes, thanks.
Abs: Thank goodness we’re on the floor for the first round of abs. After that shoulder workout, i can hardly use my arms to wipe the sweat off my brow. Uh oh… i spoke too soon. There are only two rounds of crunches on the floor before we get another new move. In keeping with the tradition of introducing impossibly hard moves at the end of the abs track in the last couple of releases, This time round, we’re on the floor in a hover and stepping out sideways to the beat with alternating legs. Just when you thought that’s as hard as i gets, we switch it up and use the arms instead of the legs to step out sideways. So, one arm is underneath you and the other is in pushup position. Yup, it’s as hard as it sounds :)
Cooldown: Love the lyrics on this one. ‘What do you want from me?’… Given the workout we just went through, apparently the answer is: Everything :). Slightly different format for the cooldown in this release. We’re only on the floor for the lower back stretches for the first minute. All the other stretches are done kneeling or standing up. As an instructor, i like this because it gives me much more chance to connect with the participants at the end of the workout. It’s nice to be able to look around the room and see some of the expressions ranging from ‘wow, what a workout’ to ‘dude, you’re crazy’
Overall, this is proably the strongest release we’ve had in the 70’s. Massive tracks to get the body temperature up at the start, a little breather in the middle through tracks 5 and 6 and then an absolutely over the top effort at the end to hit every muscle group as hard as we could have.
For the Australians affected by the PPCA ruling, our covers this time around are much, much better quality. Rather than replacing unique voices with bad copies (think Britney- 3 in release 74), where needed, the Less Mills team have opted to change the gender of the performing artist and give the song a slightly different feel. This actually works really well and doesn’t feel out of place. It makes the songs sound less like a cover and more like a deliberate remake. Well done guys.